While I don't wish to spoil it for anyone, all I can say is, it has been mounted stunningly and ends things on a high! The climax of 'Kaala' is definitely one that's going to be discussed by film buffs at least for a while. Each time Hari Dada tries to shut Kaala down with a powerful tirade, Kaala returns the favor (and at times, adding a dash of mythical references too). A lot of it has to do with less-loud-yet-hard-hitting dialogues. The scenes between Rajini and Patekar are a riot. It is as much the story of each and every Tamil slum-dweller in Dharavi as it is Kaala's, thereby adding greater strength to the film's core. This time around, the supporting characters leave a larger impact - Kaala's wife Selvi (played by Easwari Rao, who's an absolute delight whenever she's on screen) isn't a monotonous loudmouth she has a funny (hint: the scene where the younger son leaves their house) and romantic side (hint: when Kaala returns home from a date with his ex) to her too, which unravel at surprisingly unexpected situations and oh yes, she can make decisions for the 'family' too - Vaaliyappan (played by Samuthirakani) the drunk yet trustworthy aide of 'Kaala' lends comic relief (and is a tad better compared to John Vijay's Ameer in 'Kabali' - Lenin (played by Manikandan), the prodigal son of 'Kaala' who believes in upliftment - Puyal (played by Anjali Patil), a bold, strong activist and Lenin's fiancee. Therefore, it was never going to be a job too easy (especially considering Rajni's recent entry into politics as well). It is clear that director Ranjith is trying to put across his political ideologies through that one actor (or should I say the 'phenomenon'?) who has embraced super-stardom by portraying roles that catered heavily to the masses.
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In a classic overturn of usual hero-villain character sketches, the antagonist in the movie is a fascist politician sporting white. Although it appeared to be a stylistic trope in the trailer, the film contains a lot of subtext regarding the same. We have commoners, we have land-greedy politicians, and we have dons - yes, Thalaivar is painted in shades of black (and blue too, on a few occasions) in 'Kaala' (if the title, the name 'Karikaalan', and him being referred to as 'Raavan' wasn't enough.
This is Dharavi in 2018, yet not much seems to have changed. After their lacklustre collaboration in 'Kabali', their second outing is a lot more coherent, has a fleshed out villain (played by Nana Patekar, who gets his share of stand-out scenes), and features a story set in the crowded slums of Dharavi (reminding us of Mani Ratnam-Kamal Hassan's classic 'Nayagan'). Ranjith & SUPERSTAR Rajinikanth) duo's first flick, 'Kaala' would have given us higher hopes for their second.
Reviewed by arungeorge13 6 / 10 Better than 'Kabali' no doubt, yet the imbalance between Ranjith's grounded film-making style and Rajini-isms is evident! And to take revenge on him and protect the people of Dharavi, Kaala decides to fight him. Hari Dhadha's failed attempts to kill Kaala in order to take control of the area leads to the death of Kaala's wife and older son instead. Kaala, the leader of Dharavi, opposes it to protect the area and his people. Union minister Haridev called as "Hari Dhadha" Abhayankar, previously a gangster who had carried out many attacks in Dharavi, tries to evict the people and seize their land.
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